Bestselling and multi-award-winning Murakami, who most recently won the Cino Del Duca World Prize, offers his first novel in six years. It revisits the otherworld known as the City, which was first introduced in Hardboiled Wonderland and the End of the World. The story is being described as a quest, a parable, and an ode to books and libraries. Prepub Alert. Copyright 2024 Library Journal

The latest work from award-winning Murakami (Novelist as a Vocation) transports readers to a small town where residents have lost their own shadows, clocks have no hands, and the high wall surrounding the community can move and change its boundaries. A young man infatuated with a 16-year-old girl narrates. With the girl's help, he becomes a "dream reader" in a library without books or textual materials. He explores different realities as he delves into the dreams he experiences while reading. In his mid-40s, he finally finds a fulfilling position as head librarian in a rural area many miles away. Along a walking path between work, home, and the local cemetery, he frequents a coffee shop and befriends its owner. When he stops by one evening to have dinner with the coffee shop owner, she has just finished reading Gabriel García Márquez's Love in the Time of Cholera. That magical realism tale sheds a floodlight of insight into the narrator's mind, just as Murakami's book, a masterpiece, will with readers. VERDICT At times a meditation on romance, reality vs. fantasy, ghosts, and the power of written words, this metaphysical novel examines the questionable value of timekeeping while thoroughly exploring unconditional love, self-imposed constraints, and deaths of one's body and soul.—Lisa Rohrbaugh

Bestseller Murakami (Killing Commendatore) unspools an intoxicating fantasy of a parallel world. The unnamed middle-aged narrator recounts how, at 17, he fell in love with a 16-year-old girl who told him of a walled city in which her "real" self lives. At her invitation he wills himself into this world and takes a job as a Dream Reader at a library where the shelves are stocked with dreams, which he describes as "echoes of the minds left behind by real people." The narrator then loses contact with the girl and the alternate world and embarks on an ordinary life, first as a businessman in Tokyo, then as head of a small library in an unnamed mountainous town. The ingenuity of Murakami's tale lies in the resonances he establishes between the two worlds through depictions of an assistant librarian who calls to mind the narrator's youthful girlfriend, a mentor who might be an elderly reflection of the narrator himself, and a 16-year-old boy who forms an obsessive interest in the narrator's descriptions of the walled city. Even as Murakami forges a bridge between the parallel universes, he artfully preserves the ambiguity at the heart of a question posed by the narrator: "Is this world inside the high brick wall? Or outside it?" It's an astonishing achievement. Agent: Amanda Urban, ICM Partners. (Nov.)