Sent from his native Australia to Canada for fiery preaching against the Vietnam War and more, Father Frank Docherty returns years later and is placed on a commission investigating sex abuse within the Church. From the author of Booker Prize winner Schindler's List.

Perhaps best known for the Booker Prize-winning Schindler's Ark, released here as Schindler's List and later adapted into an Academy Award-winning film, Australian novelist Keneally's literary career spans six prolific decades and more than 30 novels. This book harkens back to both a theme in his first novel, The Place at Whitton, and to his career path before becoming a writer: the Catholic priesthood. The novel opens with Father Frank Docherty in a cab, returning to his hometown of Sydney, Australia, to visit his elderly mother after being sent to Canada for his outspoken views. A terse and confrontational conversation with the cab driver uncovers a sexual abuse scandal centered on the church's revered defender, Monsignor Leo Shannon. As Docherty identifies the victims and reveals the truth, he begins challenging a hierarchy and power structure that has sanctified and defined his own existence. VERDICT Through the mind of his aggrieved and conflicted protagonist, Keneally pens an unflinching meditation on the ways in which canonical scripture, sacred tradition, and human conscience often coalesce to distort basic moral truths. [See Prepub Alert, 5/15/17.]—Joshua Finnell, Colgate Univ., Hamilton, NY

The scandal involving the sexual abuse of children by the clergy of the Catholic Church in Australia fuels this well-intentioned if oddly passive novel by the author of Schindler's List. Set in 1996, the story follows likeable and intelligent Father Frank Docherty, exiled to Canada decades earlier for his liberal political views, who returns briefly to Sydney to see his aging mother and deliver a speech on the relationship between celibacy and child abuse. Coincidentally, the woman who drives his cab from the airport was abused as a girl by "smarmy" Monsignor Leo Shannon (the brother of a woman, Maureen, with whom Docherty was once tempted to break his vows of chastity). So was another young man who recently committed suicide, Docherty discovers. The novel moves awkwardly among scenes from Docherty's earlier life, a case history of the cab driver, the memories of Maureen, and the present building of a case against Monsignor Shannon. While the subject matter is timely and relevant, and Keneally makes a clear distinction between the virtues of the "misrepresented and abused" Jesus and the "apparatchiks of the Church," the novel comes across as closer to essay than effective narrative. (Oct.)